A striking indictment of the failures of the international community during the Srebrenica massacre, this image deftly blurs the lines between subject and object and forces the viewer to think critically about what victimhood looks like in the context of war. Can you tell us a bit about how and why you started making art? What motivated you to express yourself in this way? From early childhood I knew I wanted to be an artist.
It was done in collaboration with photographer Tarik Samarah. Denigrating phrases about Bosnian women are superimposed over a black and white photograph of the artist staring straight at the viewer. Originally a series of posters publicly displayed on the anniversary of the Srebenica genocide , this work has become iconic of post-war Bosnia and Herzegovina , a direct confrontation of war crimes committed against women and the prejudices that came during and after it. From Wikipedia, the free encyclopedia. This article may require cleanup to meet Wikipedia's quality standards.
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